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EAST/WEST, 2005 drawings on wall (Dopo Lavoro Ferroviario)
An intellectual and concept artist, in ’92 he was among the founders of the Bucarest journal Lettera 22 (22nd December 1989, date of the revolt against Ceausescu), the greatest source of cultural information in the country. The artist is known for his ironic pencil sketches, which clearly represent the contrasts and communication difficulties between East and West and the pressures placed on post-Communist societies. For Going Public, the simple and spontaneous act of drawing backed by the artist’s strong political conscience will adorn the walls of the Dopo Lavoro Ferroviario as well as the pages of the local paper the “Gazzetta di Modena”.

(Przemo Lukasik e Lukasz Zagata)
CineOest, 2005 mobile cinema installation (Giardini Pubblici)
This duo of Polish architects has been involved for some time in the revalorisation of the ex-coal mines of Slesia in the South of the country, an area of great socio-territorial interest. The disused post-industrial buildings and mines are revisited with new purposes in mind: cultural centres, cinemas, theatres, libraries, etc… For Going Public, they will present their “mobile cinema” project: a projection box set up in a public park showing art video screenings.

Teoreticalia, 2005 environmental installation (Central Station)
Aldo Runfola, multi-facted and nomadic artist (Palermo, NYC, London, Milan), conceptually brings together the cultures of the two islands at opposite ends of Europe, (the Mediterranean and the Anglo-Saxon) and tells of the plight of a world in which things are given a value only if they can be sold on the stock market. He has created a new installation especially for Going Public, in which philosophical phrases are spelled out with adhesive letters on the walls of the main hall of the Central Station.

Far away, 2005 video installation (Giardini Pubblici)
Among the most important concept artists and great experimenter of new trends and technology, Vaccari is well-known for his East-bound trips “beyond the curtain”, as used to be said before the fall of the wall. For this event he has produced a video work on the Romanian community in Modena which gathers around the orthadox church near via Emilia Est and their sentiment of distance from home. This is the other face of the coin compared to his analysis of via Emilia Ovest, a place of nocturnal encounters and prostitution.